Followup to this bit of news: ‘Natasha Lyonne addresses backlash to her AI “hybrid” movie’

Link to interview: (variety) (archive)

relevant section from interview:

As the second season of “Poker Face” trickles out, Lyonne is shifting her focus to another project: her feature directorial debut, which she wrote with Brit Marling. Titled “Uncanny Valley,” the movie follows a teenage girl whose grip on the real world unravels when she is consumed by a popular augmented reality video game. The project will blend traditional filmmaking with AI, courtesy of what she describes as an “ethical” model trained only on copyright-cleared data.

“It’s all about protecting artists and confronting this oncoming wave,” says Lyonne, emphasizing that it is not a “generative AI movie” but uses tools for things like set extensions.

When the film was announced in April, many on the internet did not see it that way.

“It’s comedic that people misunderstand headlines so readily because of our bizarro culture of not having reading comprehension,” says Lyonne. “Suddenly I became some weird Darth Vader character or something. That’s crazy talk, but God bless!”

“I’ve never been inside of one of those before,” Lyonne says of the vortex of backlash. “It’s scary in there, if anyone’s wondering. It’s not fun when people say not nice things to you. It grows you up a bit.”

She looks at Johnson, who, in 2017, felt the wrath of “Star Wars” fanboys when he subverted expectations on the critically acclaimed, yet divisive “Last Jedi.” His advice: shut off the noise and just make things. In a social media era where film and TV projects are judged before they’re even made, “any great art, during the process of making it, is going to seem like a terrible idea that will never work,” he says. “Anything great is created in a bubble. If it weren’t, it would never make it past the gestation period.”