Legendary video game music composer Nobuo Uematsu says he doesn’t think some modern video game soundtracks are as interesting as those in older games.
Legendary video game music composer Nobuo Uematsu says he doesn’t think some modern video game soundtracks are as interesting as those in older games.
They literally can’t afford to.
There’s a huge budget bloat, which means having to play ever safer to maximize your audience.
The reality is that only small games can afford to be gambles and actually have an identity and a soul.
Big budget games need to be works of incredible craftsmanship like the Arkham games to maintain a soul while being unimpeachable in execution, and you can’t just throw money at the skill problem.
You can however throw money at 10387 consulting firms to make sure you’re aiming for maximum palatability, and inevitably make homogenised pap for babies.
For instance: it’s really telling when even a game that should have been edgy as fuck like Suicide Squad had to lionize Wonder Woman, and only Wonder Woman, because apparently you can’t humiliate her and unceremoniously murder her alongside every other beloved Justice League member.
Counterpoint: Doom
That is an example of the “incredible craftsmanship” I mentioned.
Id software knows what they’re doing, as much as you can hate zenimax/bethesda/Microsoft they do leave their subsidiary/partner studios alone to do their thing, mostly.