Movies:
- Rebel Moon. If you gave an AI the prompt: “A Star Wars movie written and directed by Zack Snyder but with all Star Wars copyrighted material disguised” this is what you’d get. I know that’s exactly what the movie was, minus the written by AI bit (though I wonder), but it felt almost like a parody of itself.
- Aquaman and the Lost Kingdom. Mediocre, except for Patrick Wilson who elevated every soggy line he was given to read. They desperately wanted to recreate the Thor/Loki dynamic to the point where I thought in one scene I actually heard Aquaman call his brother “Loki”.
- One Life. Schindler’s List if Schindler’s List focused more on the red tape needed to rescue people from the Nazis, and Oskar’s twilight years. Kidding aside, a decent movie, but more on the “worthy” end of the spectrum than the entertaining.
- Poor Things. The best movie I’ve seen this year. May still be true 51 weeks from now.
TV:
- For All Mankind. I enjoyed the “retro” early seasons more, but it’s still a very watchable show, and one I still consider to be a Star Trek prequel if I squint and look at it slightly sideways. They certainly seem to be heading towards a Fundamental Declarations of the Martian colonies scenario this season. One of the few shows I’m watching week-by-week instead of saving up and bingeing.
- A Murder at the End of the World. Well acted, somewhat slow moving murder mystery. Unfortunately I guessed the identity of the killer after two episodes, and thought both that, and a certain revelation about one of the characters, were overused tropes in the early 2020s.
- Bodies. Decent crime mini series set across four time periods. I thought the more modern settings and characters were more interesting than the oldey timey (wimey) ones, but the show managed to bring all four storylines together in a pretty satisfying way.
- Silo. Halfway through. Pretty good, but maybe not as good as I heard it was.
If you enjoyed On the Basis of Sex you should check out RBG, the 2018 documentary about Ginsburg. Ginsburg also appears as a character in a couple of episodes of the fifth season of The Good Fight, played wonderfully by Elaine May.
I think I preferred the early Wes Anderson, before he went full Anderson. Check out Rushmore and (what I think is his best movie) The Royal Tenenbaums.