Quit_this_instance

I think the right way to go is fine a good local computer store with knowledgeable people and get their help parting out and assembling it. You get some repair coverage and benefits like that, they do the bulk of the work, and you can put your own options in on anything you’re knowledgeable about. It’s what I’ve done and it’s well worth it for the small extra cost.

I was making a joke my friend :)

I found superluminal just made me miss portal unfortunately. It wasn’t bad but not as strong. Might take a look at coc though!

Asteroids was my dad’s boomer shooter.

It’s a great game though. Can’t blame him at all

Good to hear thanks! I’m taking a breather from fast paced fps to get into a hoity toity puzzler now (outer wilds is awesome) but I have reminded myself how nice it is to take a mindless break and destroy Nazis and demons so I’ll be back to the dizzingly fast violence trough soon enough

These are millenial shooters dangit, boomers were too old for doom. Gen X at most.

More seriously though I just replayed the OG doom and it still slaps, nice to see some folks are trying to recapture that. I should check these out.

Yep, and that doesn’t fit well with ‘omg must preorder this game’

Eh. I don’t really agree. I agree that they’re both excellent games and that they differ in the ways you’ve listed, but I just replayed both and I have to say, hl1 drags. There are long chunks that consist of seemingly endless corridor crouching jumping puzzles with headcrabs lurking predictably for jumpscares.

The things you call “gimmicks” in hl2 to me broke up that loop. They are still parts of the game and use the same mechanics, but they shake the loop up just enough that you don’t get sick of doing the same jumping puzzle–>crouch through narrow tunnel and hit headcrab with crowbars–>fight pattern, and it still includes enough of those to feel like an extension of the same game.

I do think it was a mistake to keep Gordon mute for hl2. He had a reason to not talk in hl1, there wasn’t really anyone to talk to. It makes way less sense in 2, and hamstrings them on further story aspects as they try to get serious with the plot.

Fallout 76 is only the most recent, they’ve been like this since… I guess a little after morrowind? As an early adopter of tes (saved my sheckels to buy arena after reading a PC gamer review, did not regret), I was sad to see them go to shit, but to shit they went and it was not recent.

I don’t understand why anyone is naïve enough to still preorder from companies like Bethesda.

Mostly I don’t understand pre-ordering games at all (patient gamers represent) but from Bethesda? You’re basically paying to get kicked in the shins. Surely we all know this by now.

4 is already fixed in the alpha of jerboa, and the functionality is there but got accidentally hidden in the current version. You have to hold-click in your inbox to see context. These kind of hiccups are normal in a very new foss browser.

That sounds like one of those things where you forget about it, then years later realize how fucked up it was.

There are still a lot more people on twitter.

Yeah, weighting ‘engagement’ higher is basically the youtube algorithm problem: you’d be attracting trolls most of all. You could probably devise something smarter, like weighting it to include all of most upvotes, fewest downvotes, and most comments; adding comments to it helps identify people who post positive but engaging things, but again that can lead to an echo chamber. Plus, it then under-weights new users compared to established ones, which can be unfortunate.

That seems like a good solution. Let me subscribe to a half dozen different game comms and put them together into one “games” list that shows up with pretty much the same interface as a single community, so I can browse just “games” content that I have subscribed to.

I’m not sure it’s even possible to discourage it really. If you have any sort of user-user engagement system, whether up/downvotes or comments/shares or whatever, you’re going to have particular sentiments that are popular with particular audiences and get more of that engagement. If you take those features out, you’re going to lose engagement, pretty much definitionally.